Coot sitting, Oare marshes, Kent
Field sketching is a fundamental part of my approach to art. Indeed, in many ways the field sketch is an end in itself, a fleeting statement captured on paper from a few moments of contact. Seldom perfect, often woefully inadequate, each attempt teaches something more, adding to the repertoire of shapes, tones and movements that define living creatures. I doubt that a definitive image of any living creature is actually achievable, but the process of seeing and recording is compelling, a reward in itself
- Birds
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Sketching bird from life requires compromise, the ability to look hard, remember shapes and patterns, then scribble it all down on paper as quickly as possible. I generally use a blunt soft pencil which gives subtle fleeting lines and allows areas of tone to be scribbled in rapidly. Written notes about colours, shapes and behaviour frequently crowd around the shapes, adding vital information. These sketches are often enhanced by watercolour or crayon later, perhaps in a hide or in my car, more usually in my studio at home.
- Animals
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Drawing animals brings similar challenges to those of drawing birds, except that most mammals are less approachable! I often draw farm livestock, particularly old breeds, but seldom have reason to put them in pictures unless I receive a special commision.
- Landscapes
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My landscapes usually focus on the margins and edges of water, fields or woodlands. Edges show contrasts of tones and colour, and offer the mystery of what is beyond. I am fascinated by the fleeting tones of changing winter skies, and often paint in watercolour direct from the changing sunset visible from my studio.
Follow the links below to see some of my work in these areas